Wayne Krantz Greenwich Mean Album Review & Overview

Written by

in

Wayne Krantz’s Greenwich Mean: Capturing Lightning in a Bottle

In the landscape of modern electric guitar and improvised music, few recordings stand as fearlessly unique as Wayne Krantz’s 1999 self-released album, Greenwich Mean.

Serving as a raw, electrifying document of Krantz’s legendary long-standing residencies at the 55 Bar in New York City’s Greenwich Village, the album is a masterclass in telepathic group interaction, rhythmic deconstruction, and unbridled sonic freedom.


The Anatomy of the Sound

Unlike polished studio records built on safety and overdubbing, Greenwich Mean captures the danger and high-wire act of a live performance. The album comprises 24 tracks—ranging from brief, punchy structural fragments to sprawling, hypnotic workouts like “Infinity Split” and “Marble Maker”.

Krantz’s playing style on the record defies standard categorization. He combines a jagged, rhythmically displaced harmonic vocabulary with a piercing, clean-yet-crunchy tone. Rather than playing standard jazz lines over changes, Krantz treats the guitar like a percussion instrument that happens to output melodies, constantly bending time and expectations.

A World-Class Rhythm Section

A project this volatile requires sidemen of extraordinary caliber. Greenwich Mean features powerhouse drummer Keith Carlock alongside bassists Tim Lefebvre and Will Lee.

  • The Groove: Carlock and Lefebvre (or Lee) do not simply keep time; they bend it, stretch it, and fragment it alongside Krantz.
  • The Telepathy: The interplay feels less like a traditional soloist-backed-by-rhythm setup and more like a three-headed organism navigating a musical labyrinth blindfolded. Every downbeat is a moving target, yet the groove remains undeniably magnetic.

Why Greenwich Mean Still Matters

Decades after its initial release, Greenwich Mean remains a touchstone for modern guitarists, fusion fanatics, and improvisers. It encapsulates a specific era of New York underground creativity where boundaries between jazz, funk, rock, and avant-garde music were systematically demolished.

For anyone willing to dive into its dizzying rhythmic matrix, Greenwich Mean offers a thrilling reminder of what happens when master musicians throw away the safety net and risk everything in real time.

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *